Something a Little Different for Scrap Happy Day in April

Instead of patchwork blocks or even the beginning of a new quilt top out of the Parts Department I've repurposed a vintage handkerchief. I didn't think to take a picture before I embarked on this project but I can show you what I've done with it. 😁

I've been following the #roxysjournalofstitchery projects on YouTube ever since volume one. They are currently in volume five. This time around there's a different project for each month. The first prompt this year was to make a trifold pouch. I haven't been making with them but the idea has stayed with me. And then an actual use for such a thing cropped up in my life. 

I sifted through the vintage hankies I've been collecting to see what might work for a small pouch. I determined that I wanted something about 6" wide and 4" high when it was completed. I found one white hankie that had been embellished with a spray of embroidered blue flowers in one corner. Then I turned up a blue hankie that had raggedy edges and a couple of tiny holes. That was all I needed to get started.

 Here you can see how I used the corner of the white handkerchief and what's left of the blue one. I knew I wanted a pointed flap on my pouch so I arranged the floral spray to accent that triangle. You can also see that I used snippets of lace to fill in the plain blue areas. All of these components came to me second hand from various sources. 

 

 I used a number 12 perle cotton to seed stitch the blue areas that were left exposed after I'd applied the lace bits. There's no stitching in the printed areas of the hankie, except where I had to piece two halves together to get the length I wanted for my finished pouch. I used a variegated perle cotton to blanket stitch the floral spray in place. 

 

 And voila, my finished pouch! I used a button from my mother's button box and bit of braid I'd acquired somewhere along the way to wrap around the shank of the button to keep my pouch closed. 

I lined the pouch with a print I've had in my stash for heaven only knows how long. It felt like it could have been a design from the 1950's, which is my guess as to the age of the blue hankie. Plus, the colors worked. 😉

 This is what my pouch looks like on the back now. I'm pretty happy with the way this turned out. It even came out to the size I intended.

Scrap Happy Day is hosted on the 15th of each month by Kate in Australia and Gun in Sweden, giving us an opportunity to share how we've used scrap materials (not just fabric) or repurposed something. You can see what everyone else has done by clicking on their names in the list below.

Kate, Gun, Eva, Lynda, Birthe, Turid, Tracy, 
Jan, Moira, Sandra, Chris, Alys,
Claire, Jean, Dawn, Gwen,
Sunny, Kjerstin, Sue L, Vera, 
Ann, Dawn 2, Carol, Preeti, Viv, Karrin, Amo, Alissa, 
Lynn, Tierney and Hannah

Weekly Stitch Entries for March (photo heavy post)

 In case you didn't know, I'm keeping a stitch journal with Kathryn on YouTube this year. We're not learning new embroidery stitches though. It's more of an opportunity to do some relaxed hand sewing each week. 

For the first week of March Kathryn was inspired by Emily Dickinson's phrase "Hope is the thing with feathers..." She showed us the type of feather quilters have historically used to hold together the layers in a quilt and then encouraged us to create our own fantasy feather. I ended up riffing off of an ostrich plume I have.

The following week we made samples inspired by the kawandi that are made by Siddi women in India. 

The patches in true kawandi would have their raw edges folded under. I went with a raw edge method. The corner decorations are called phula, which means flower. The quilt is considered naked without phula on the corners. Kawandi are made without batting as we here in the US know it. Instead they use layers of cast off clothing or other linens. There may be more than three layers depending on how warm the end product needs to be. My sample is only two layers, the top and the back.

I used a large-ish scrap from a recent quilt for the back of my kawandi. 

Kathryn had a special project for us the week of the equinox (spring here in the northern hemisphere). We could make two little folios of fabric. One went into our stitch journals and the other was buried outdoors somewhere to be retrieved at the solstice in June. Kathryn wrapped her fabric with elements from nature and a bit of rusty metal. The whole idea is to let nature do whatever she wants with our bundles and to see what that will be. 

I put a scrap of crochet on the covers of my two folios.

And this phrase stitched on the interior conveys the whole purpose behind the exercise.

My second booklet looks much the same on the outside.

You can see I didn't even bother to press the muslin I used for the folio.

I wrapped my buried bundle with some onion skins and a clipping from the hedge outside my studio window. I think there were a couple more items but I don't remember what they were now. Guess I should have made more notes! I did at least take a photo of where the bundle is buried so I know where to dig in June. (It's under the rock.)

For the last week of March Kathryn wanted to celebrate the friendships that have been created in the stitching community. She turned again to traditional quilt making techniques and had us make Friendship Stars. Hers was hand pieced. I machine pieced mine but then had fun decorating the background with star stitches in a variegated perle cotton. 

That's the first quarter of the year complete. 😊 So far, so good!

Catching Up

I've been doing some more little stitched panels of late, just for the heck of it. 😊

This first one began with that triangle of pink silk on which I placed the key at the very end.

I stitched what would have been seam lines except all the fabric was left raw edge. Then I sprinkled it with French knots, a few star sequins, and some bead chips. 

This one was very simply treated with running stitches... until I felt compelled to stitch over some of the flourish applique. 

The stitching is very subtle on this one but it's there, trust me. 

And this one is reminiscent of a square I made for the Great Big Little Stitchery Swap Round 2. There's seed stitching amongst the little floral bouquets. I tried to emphasize the tiny flowers under the hedgehog with some straight stitches and Colonial knots. All of these panels are in the neighborhood of 3" x5." Well, the one at the top is probably just under 4" square. They've all been sent to the Disabled Artists Foundation for fundraising purposes.

I decided to keep this one for myself. 😁 It's about 3" x 4." Just seed stitching and one column of chain stitches, then an outline stitch to highlight a line that was already in the music print. I'm not sure what I will do with it but I sense there's a fabric book in my future and it could be a cute pocket!

 

A Very Catty Scrap Happy Day in March

First off,  I have a couple of scrappy finishes to share. This Scrappy Trips quilt had to wait a while to get quilted. When the time came James used a variegated thread and a simple meander to do the job.

60" x 80"

The second finish, this scrappy Remixed Geese, was a more recent project. In fact, Scrap Happy Day in January this year was the motivation to get it going.

54" x 66"

To finish it off I went through my binding leftovers, pulled out all the blues, and sewed them together for a scrappy binding.

This month I sewed up some more of the cat blocks I've been making out of scrap fabrics.

I wondered how many cats I had when this batch was done. I was shocked to see that I have 126 cats altogether. I had no idea there were that many. The question now is what to do with them? It's a harder block to work with in the usual way because it finishes at 5" wide and 9" tall. I can't just plug them into a quilt plan the way I would stars or other square blocks. I've had some ideas but nothing has gelled at this point. Not that all the cats need to end up in one quilt! In fact, I suspect they will make appearances in several quilts. The block is just so easy to make and so useful for larger scraps. 

Scrap Happy Day is hosted on the 15th of each month by Kate in Australia and Gun in Sweden. Participants span the globe, posting according to their own time zones. If you'd like some motivation for using up scrap materials hanging around in your nest leave a comment on either of their blogs. Theirs are the first two links in the list below. And then be inspired by what's being done to recycle, repurpose, or otherwise keep things out of landfills around the world.

Kate, Gun, Eva, Lynda,
Birthe, Turid, Cathy,  Tracy, 
Jan, Moira, Sandra, Chris, Alys,
Claire, Jean, Dawn, Gwen,
Sunny, Kjerstin, Sue L, Vera, 
Ann, Dawn 2, Carol, Preeti,
Nóilin, Viv, Karrin, Amo, Alissa, 
Lynn, Tierney and Hannah

February Stitching

 I'm keeping up with k3n's weekly stitch journal very well so far. I've tried to do this sort of thing in the past but without this level of success. Let's hope I can keep it up for the rest of the year! 

You saw the first prompt for February in my last stitchery post. The second week included Valentine's Day so of course we made hearts. Kathryn included a photo compilation of her two grandmothers and mounted that underneath her heart. She was able to use scraps of fabric she'd kept from a grandmother too. Her tag line was "held together by scraps of love." I didn't have those kind of resources so I simply used shades of red and pinky-purple scraps to make a foundation for my heart. Kathryn enjoys kantha stitching, I prefer a bit of embroidery. So, this is how my heart turned out:

An Angela (I didn't get a last name) left a comment on the video for this prompt in which she said, "buttons are like love, they hold things together." That really spoke to me so I made sure to include some tiny heart buttons in my piece. The pink stripe I used behind my heart is a scrap of a maternity dress I wore when carrying our three children. 

The following week was an opportunity to learn how to make pojagi, pieced cloth that Koreans use to wrap gifts and other things. This was a bit intimidating at the outset, especially when Kathryn recommended we use thin fabrics that look good on both sides. She has a lot of vintage sheet fabric that she has eco dyed. The only cloth I could think of in my stash that would look good on both sides were batiks. They are pretty dense though, and would be harder to get a needle through. In the end I used white and unbleached muslin scraps for my sample.

I forgot to photograph it before I stitched it into my my journal, otherwise I would show you that both sides are presentable. The only raw edges are around the perimeter. I quite enjoyed making this piece but my hands were complaining by the time I finished. I found myself gripping the fabric tightly as I stitched. 

In honor of the ninth week of the project - the last week of February - Kathryn had us make 9 patch blocks. Not pieced, appliqued. She gave us the option of turning the edges of our squares under or leaving them raw. She cut her squares freehand. Some of them were more rectangular than square. I didn't mind that a bit and would have left some of mine less than square too. However, I used felted wool instead of cotton cloth and had a template of sorts to use to cut the wool. (K3n padded a few of her squares with a bit of batting. I figured the wool would give a similar effect with less stress on my part.)

I got a sort of wonky effect just in the process of stitching the squares to the foundation fabric. A couple of the squares got trimmed a bit too. I have to say, this was pure joy for me to stitch. I haven't worked with wool very much up to now. Might have to figure out ways to incorporate it more often! I also enjoy seed stitching, which gives so much texture to the background. 

I turned my piece over before I started the seed stitching and discovered I quite liked the look of the back at that point:

Just that sample of colors makes me happy. 😊 

For the record, I'm stitching these pieces onto the pages of a commercially available sketch book. The book measures 8" x 6," and I'm working on roughly 4.5' foundation squares. It's already obvious that the coil spine of the sketch book won't accommodate 52 pages of stitcheries. Eventually I will have to remove the wire binding and then sew the pages back together at the end of the year. Unless I find a decorative tin the right size... Kathryn is an old hand at making fat stitch journals. I'm not sure I'm ready for that particular challenge yet.